Those who have crossed the high carcass Eric Cartier know his infectious laugh. It is the exact ref

Those who have crossed the high carcass Eric Cartier know his infectious laugh. It is the exact reflection of his comic cartoons - as he calls them - happy, carefree and turbulent. But behind maria enriquez this apparent casualness, lies a contemplative maria enriquez able to spend hours drawing three stones, dreaming of his past travels. Including a long journey to the United maria enriquez States he went through in 70 years, maria enriquez about his upcoming book.
What special moments of your trip, you choose to raise? Eric Cartier: Not really more significant than other stages. Sometimes stupidly stories maria enriquez nice and nasty. But drops on the windshield of a car. Stop lovers will enjoy - I hope. It is a reflection maria enriquez on time, patience. Patricia and I were already stranded, hitchhiking maria enriquez in Clermont-Ferrand. maria enriquez But when you advance thirty terminals each day in the desert is something else. An acoustic guitar and lyrics come all alone! maria enriquez You say that you find your notes scribbled next to your skeleton and it will make a good tube. The journey is the chance. We were a couple ... Well, I will not reveal everything, I am just one third of the 150 pages provided. Draw faces or landscapes, same thing? No. There are on the one hand facing the objective. Reflection on a photo allows for an objective maria enriquez look. That is to say, an optical: a lens 45 mm. It is a game of light. I believe that in the nineteenth century, the English called photo brush light. maria enriquez If you look at a photo and that the structure of freelance things that we see, it helps to draw, find a realistic trait. The characters in comics is theater or the horn. Puppets are created. From time to time, I rely on the doc to find good lighting, good composition. The cartoon is the characters who live by themselves. The boxes are boxes of a stack of footwear. In each, figurines rubber live their lives. Opening box after box, you have a cartoon cartoon. But my story is not a cartoon! Probably because it was an opportunity to confront me in realistic work I've done for years, but for me. Another approach to the representation of reality. I like hitting the side of feelings. And not laugh ... You made the realistic drawing with Black No Sugar. Yes. The job done for Nocturne, from my photographs. I called objective look. I put a photo in front of me, I look. Then I start, I realize my artwork like a mandala is drawn. Audrey Alwett maria enriquez why she writes your trip and not you? We see an afternoon over a cup of tea or food, and working in tennis. It records, taking notes. And decides shortcuts. You can not tell everything. She chooses what to emphasize. Thanks to her, I see things in perspective. I then cut according to what she wrote. We'll see, she looks up to the sky ... and continues! I speak of a time when she was not born, suddenly she is the filter that allows me to calibrate my speech so that everyone can understand. His youth, a pledge of eternity for your words? maria enriquez Yes. She used to write. Me, I struggle with the scattered pieces of a kaleidoscope. She chooses on which passages we will linger. I do not like to talk about. This is still ongoing. Your children do they read? When they were very young, I enjoyed making the Kaput & Zösky with Trondheim (Delcourt). When they were bigger, I made Diego SPA with Coyote (Fluide maria enriquez Glacial). When they were 15-16 years ago, I paid Lanfeust in style with The Expedition Alunys written by Arleston. To create a little respect from teenagers. No luck, they were parties to the manga! Now our children have their lives, I will stop the piss with my comics. After both designed to seduce! I've always drawn to please. Kid, draw his house, the cat or dog to his parents. When they have nothing maria enriquez to do, we look for other people to tell us that our design is beautiful. And so on. It is immutable. But if there are thirty-five years, I was told that later I would draw olive trees, I might be a headbutt. Yes, today I love drawing trees. Happy that I discovered while traveling. The design is the filter of what I saw.
Publishing Director, Editor: maria enriquez Frédéric Vidal Assistant Editor: Jean-Pierre fueri Managing Editor: Paul Giner Editor: Antoine Béhoust Lise Benkemoun, Sophie maria enriquez Bogrow Sonia Déchamps, Dicale Bertrand, Sophie Fleming, Paul Giner, Diane Launier, Jean-Christophe Ogier, Damien Perez, Thierry Wagner.